SPLITTING FILMS LAB

Boutique Darkroom

Meticulous processing, 61 MP master scanning and Fine Art production. Tight quality control for 35mm and 120 film.

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Our Film Stocks

We formulate and respool ready-to-shoot film, including cinema stocks with and without Rem-Jet.

COSMO-200T

COSMO-200T

Tungsten-balanced cinema film (ISO 200).

ALAMEDA-50

ALAMEDA-50

Ultra-fine-grain, high-contrast panchromatic film (ISO 50).

PORTALES NOIR 400

PORTALES NOIR 400

Classic black-and-white character with extended latitude and traditional texture (ISO 400).

NEVADO ETERNA-6

NEVADO ETERNA-6

Ultra-slow cinema film for soft, pastel tonalities (ISO 6).

Film processing

Analog Processing

Controlled chemistry and temperature management designed to preserve as much usable latitude as possible.

  • Paterson tanks for 35mm and medium format
  • Chemical pre-baths for Rem-Jet removal
  • Classic B&W processing (Adox Rodinal, D-96)
Master scanning

Master Scanning

High-resolution camera scanning designed to retain fine detail from the original emulsion.

  • Sony a7R IVA full-frame 61 MP sensor
  • Sigma 105mm f/2.8 Macro Art optics
  • CRI 96 LED panel and Essential Film Holder
  • Color conversion in Negative Lab Pro
Fine Art printing

Fine Art Printing

We bring photographs from screen to paper using archival substrates selected for exhibition and long-term presentation.

  • HP DesignJet Z6 large-format printer
  • Baryta and cotton Fine Art papers (Cold Press)
  • Durst C35 enlarger for silver-gelatin printing